Arts
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This RePEc Biblio topic is edited by Richard S.j. Tol (pto90). It was first published on 2013-05-21 14:29:35 and last updated on 2013-05-21 19:32:15.
Most relevant research
- Douglas Noonan, 2003, "Contingent Valuation and Cultural Resources: A Meta-Analytic Review of the Literature," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, volume 27, issue 3, pages 159-176, November, DOI: 10.1023/A:1026371110799.
- Trine Hansen, 1997, "The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, volume 21, issue 1, pages 1-28, March, DOI: 10.1023/A:1007303016798.
- David Throsby, 2003, "Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, volume 27, issue 3, pages 275-285, November, DOI: 10.1023/A:1026353905772.
- Walter Santagata & Giovanni Signorello, 2000, "Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti''," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, volume 24, issue 3, pages 181-204, August, DOI: 10.1023/A:1007642231963.Unknown
- Olivier Chanel & Louis-André Gérard-Varet & Victor Ginsburgh, 1996, "The relevance of hedonic price indices: the case of paintings," ULB Institutional Repository, ULB -- Universite Libre de Bruxelles, number 2013/1715.
- Chanel, O. & Gerard, L.A. & Ginsburgh, V., 1992, "The Relevence of Hedonic Price Indices the Case of Paintings," G.R.E.Q.A.M., Universite Aix-Marseille III, number 92a19.
- Alan Beggs & Kathryn Graddy, 1997, "Declining Values and the Afternoon Effect: Evidence from Art Auctions," RAND Journal of Economics, The RAND Corporation, volume 28, issue 3, pages 544-565, Autumn.
- Beggs, A. & Graddy, K., 1996, "Declining Values and the Afternoon Effect: Evidence from Art Auctions," Economics Series Working Papers, University of Oxford, Department of Economics, number 99184.
- Ashenfelter, Orley, 1989, "How Auctions Work for Wine and Art," Journal of Economic Perspectives, American Economic Association, volume 3, issue 3, pages 23-36, Summer.
- Orley Ashenfelter & Kathryn Graddy, 2003, "Auctions and the Price of Art," Journal of Economic Literature, American Economic Association, volume 41, issue 3, pages 763-787, September.
- Kathryn Graddy & Orley Ashenfelter & Princeton University and NBER, 2002, "Auctions and the Price of Art," Economics Series Working Papers, University of Oxford, Department of Economics, number 131, Nov.
- Jianping Mei & Michael Moses, 2002, "Art as an Investment and the Underperformance of Masterpieces," American Economic Review, American Economic Association, volume 92, issue 5, pages 1656-1668, December.
- Baumol, William J, 1986, "Unnatural Value: Or Art Investment as Floating Crap Game," American Economic Review, American Economic Association, volume 76, issue 2, pages 10-14, May.
- Baumol, William J., 1985, "Unnatural Value: Or Art Investment as Floating Crap Game," Working Papers, C.V. Starr Center for Applied Economics, New York University, number 85-25.
- Pesando, James E, 1993, "Art as an Investment: The Market for Modern Prints," American Economic Review, American Economic Association, volume 83, issue 5, pages 1075-1089, December.
- Goetzmann, William N, 1993, "Accounting for Taste: Art and the Financial Markets over Three Centuries," American Economic Review, American Economic Association, volume 83, issue 5, pages 1370-1376, December.
- Ezra W. Zuckerman & Tai-Young Kim, 2003, "The critical trade-off: identity assignment and box-office success in the feature film industry," Industrial and Corporate Change, Oxford University Press and the Associazione ICC, volume 12, issue 1, pages 27-67, February.